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Escape Pod 750: The Anatomy of Miracles


The Anatomy of Miracles

by Filip Hajdar Drnovšek Zorko

For half a song every evening, the sunsets reminded the miracle worker of home. The hills were reddish-brown in daylight, but when the two suns, one after the other, slipped below the horizon, they came alive with purple highlights. He could almost pretend the hills were blue, instead, that the sea in the distance was true water and not liquid methane. On those occasions, he leaned back on his rear limb-pairs and, from a great distance, heard the timekeepers singing time.

He didn’t know what the window was made of. He couldn’t have said there was a window there at all, but for the fact he didn’t suffocate. He understood why his masters always sent him to inhospitable planets. His work was imprecise. It was safer that way. But this was the first planet that had been beautiful, the first that had brought the old songs ringing back. It was different. He felt it in his bones.

By first dawn, the hills were red again, and he was merely an old man who had not seen home in a long, long time.

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Escape Pod 749: Key Component


Key Component

By T. R. Siebert

The first thing you need to understand is that you don’t have a body. You are a body.

They pulled you from your mother, kicking and screaming, and you haven’t found silence since. You are too much.

Too much to handle, too much to hide. They tell you as much, with words and in a myriad of other ways. Too large to overlook, too obscene to see. You fold yourself into yourself and cannot escape the confines of it.

The ship wasn’t built for you like you were built for it. In most hallways you have duck to not hit your head on the ceiling. You avoid chairs with arm rests because you know you won’t fit. You haven’t slept comfortably in a bed since you were ten years old. Back then, you had nightmares in which you never stopped growing until you pushed against the hull of the ship, bursting through it into the never-ending void of space.

You move, and the world breaks around you.

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Escape Pod 748: Flash Fiction Contest Winners 2020


Flash Fiction Contest Winners 2020

Our stories this week are the winners of the contest, as chosen by you: our listeners and readers. All four stories are Escape Pod originals. Out of 224 stories, the top four stories were:

“Butterfly” by Drew Czernik, narrated by Hollis Monroe
“In Roaring She Shall Rise” by Rajiv Moté, narrated by Katherine Inskip
“Death Poems of the Folded Ones” by Carol Scheina, narrated by S. Kay Nash
“The Day the Sun Went Out” by Hannah Whiteoak, narrated by Tina Connolly

Now, get ready to explore new worlds of space, time, and relationships, because it’s storytime.

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Escape Pod 747: Flash from the Vault


Flash from the Vault

Host commentary by S. B. Divya

Hi there and welcome to the third and final term of Escape Pod’s Summer School, where we post some of our favorite flash fiction from the vault with a new perspective. I’m Divya, co-editor of the pod, and your instructor for this class. This episode also concludes our Summer Flashback series. We’ll be back next week with the best in original and reprint science fiction.

Today, I bring you three flash episodes from long, long ago. First up is “Standards,” by Richard K. Lyon, then we have “Paradox,” by Scott Janssens, and finally, “Stuck In An Elevator With Mandy Patinkin,” by Kitty Myers. (Continue Reading…)

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Escape Pod 746: The ’76 Goldwater Dime (Summer Flashback)


The ’76 Goldwater Dime

by John Medaille

I started in 1962, that’s when I became a numismatist. You know what that is? It’s the study of… well, it’s not the study of anything. It’s coin collecting, is what it is.

I was ten in 1962, and Christmas I got my first coin album. I didn’t actually get it. My father gave it to my brother. It was, you know, you’ve seen them, a sturdy cardboard folder with slots punched out that you put the coins in. Behind the slots, the empties, it had a backing of blue felt, I remember that. My dad gave it to my brother, I guess maybe thinking it would straighten him out. But coins, you know, they don’t really have that power. He wasn’t interested. He gave it to me. Me, I was interested.

The album was for Lincoln pennies, 1909 to 1959. I had five cents in the world then and each of the five fit in the slot. It only took me five more days to get the other forty-five. I would do anything for those pennies and slot it in its slot. Anything, anything. When I got my last penny, wow. It was a 1943 steel mint penny, a ‘steelie.’ They had to use steel instead of copper that year cause they needed the copper for all the bombs. I was so proud.

From then on it was just coins for me. My life was coins. I was hooked. They had their hooks in me, boy.

When I was just seventeen I moved by myself down to Washington, DC, cause I got a job there in a coin shop. That was my education. I lived in a one room dungeon in a crumby neighborhood, I loved coins that much.

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Escape Pod 745: Immersion (Summer Flashback)


Immersion

By Aliette de Bodard

In the morning, you’re no longer quite sure who you are.

You stand in front of the mirror–it shifts and trembles, reflecting only what you want to see–eyes that feel too wide, skin that feels too pale, an odd, distant smell wafting from the compartment’s ambient system that is neither incense nor garlic, but something else, something elusive that you once knew.

You’re dressed, already–not on your skin, but outside, where it matters, your avatar sporting blue and black and gold, the stylish clothes of a well-traveled, well-connected woman. For a moment, as you turn away from the mirror, the glass shimmers out of focus; and another woman in a dull silk gown stares back at you: smaller, squatter and in every way diminished–a stranger, a distant memory that has ceased to have any meaning.

Quy was on the docks, watching the spaceships arrive. She could, of course, have been anywhere on Longevity Station, and requested the feed from the network to be patched to her router–and watched, superimposed on her field of vision, the slow dance of ships slipping into their pod cradles like births watched in reverse. But there was something about standing on the spaceport’s concourse–a feeling of closeness that she just couldn’t replicate by standing in Golden Carp Gardens or Azure Dragon Temple. Because here–here, separated by only a few measures of sheet metal from the cradle pods, she could feel herself teetering on the edge of the vacuum, submerged in cold and breathing in neither air nor oxygen. She could almost imagine herself rootless, finally returned to the source of everything.

Most ships those days were Galactic–you’d have thought Longevity’s ex-masters would have been unhappy about the station’s independence, but now that the war was over Longevity was a tidy source of profit. The ships came; and disgorged a steady stream of tourists–their eyes too round and straight, their jaws too square; their faces an unhealthy shade of pink, like undercooked meat left too long in the sun. They walked with the easy confidence of people with immersers: pausing to admire the suggested highlights for a second or so before moving on to the transport station, where they haggled in schoolbook Rong for a ride to their recommended hotels–a sickeningly familiar ballet Quy had been seeing most of her life, a unison of foreigners descending on the station like a plague of centipedes or leeches. (Continue Reading…)

Thank You From A Parallel Universe


Because this year’s Hugo Award Ceremony was virtual, the Escape Pod team was given the opportunity to pre-record and submit an acceptance speech. While we did not win the award for Best Semiprozine, we wanted to share this video with all of you as a way to say thank you for your support over the past 15 years and counting!


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Escape Pod 744: The Evening, the Morning and the Night (Summer Flashback)


The Evening, the Morning and the Night

by Octavia Butler

[EDITOR: We don’t have the rights to post the text of this story.]

Host Commentary

by Alasdair Stuart

Welcome to Escape Pod Summer School’s final month!

The plan with these episodes has been to stack all our flashbacks in one place, and to use them to explore big concepts in some detail.

I’m Alasdair, your host for these episodes. Over the last few weeks, we’ve looked at the different ways science fiction explores space, we’ve looked at the concept of invasion, and this month, we’re taking a look at identity, and we’re starting with the amazing Octavia Butler.

One of the all-time greats, Butler’s work is redolent with this theme. This story in particular, a novelette, explores identity in a half-dozen different ways, and does so with Butler’s customary grace, compassion, and laser-focused vision.

Some logistics for you before we dive in: this episode was originally published Feb 2nd 2015, your narrator is Amanda Ching, your host for the original episode was Norm Sherman, your audio producer for the original episode was Mat Weller.

And without further ado, it’s story time!


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Escape Pod 743: Flash From the Vault


Flash From the Vault

Hello and welcome to Escape Pod Summer School, where we post some of our favorite episodes from the vault with a new perspective. I’m your assistant editor and teacher for this class, Benjamin C. Kinney, and I’ve got three flash episodes from long, long ago. We bring you “Paul Bunyan and the Photocopier” by Larry Hammer, “Beachcomber” by Mike Resnick, and “Semi-Autonomous: or, For Whom the Warranty Tolls” by Jim Kling. (Continue Reading…)

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Escape Pod 742: Them Ships (Summer Flashback)


Them Ships

by Silvia Moreno-Garcia

Leonardo says that the Americans are going to fire some rockets and free us from the tyranny of the aliens and I say: who gives a shit. Lemme tell you something: It wasn’t super-awesome around here before the aliens. At least we get three meals every day now.

I used to live in a cardboard house with a tin roof and collected garbage for a living. They called my home a ‘lost city’ but they should’ve called it ‘fucked city.’

Leonardo talks about regaining our freedom, ‘bout fighting and shit. What damn freedom? You think I had freedom in the slums? Leonardo can talk freedom out his ass because he had money before this thing started and he saw too many American movies where they kill the monsters with big guns.

I’m not an idiot. The cops used to do their little “operations” in our neighborhood. They’d come in and arrest everyone, take everything. They weren’t Hollywood heroes out to help people. They were fucking assholes and I don’t see why they would have changed. As for American soldiers saving the day: You think they give a rat’s ass ‘bout Mexico City? You think they’re going to fly here in their helicopters and save us?

I say fuck that shit. I never had no freedom. Leonardo can go piss himself.
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