The Soundproof Escape Pod #5


Quick note: Sorry it’s late folks, minor illness-related delays.

The ePub version can be found here.

To our readers—

I’ve always been of two minds about that proverb (well, curse) that has been attributed to the ancient Chi- nese of “May you live in interesting times.”

Because let’s face it, boring times are getting further apart and fewer. The era of the noble farmer living a quiet life on the plains is long dead in much of the developed world, and while we always dream of re- turning home to a quiet Ithaca, I think a lot of us prefer the torrents of the seas and not knowing what the next isle will bring.

Which is bit of a long way of saying that it was a bit of a crazy month last month, wasn’t it?

Thousands of much better words than these have been etched in the cyber on the wave of popular revolu- tions in North Africa and the Middle East, so I’m going talk about the impending end of the Space Shuttle program.

Space shuttles were always a bit of science fiction that existed in the real world for those of us who grew up after the space race. They were the oddly shaped white space ships in the toy box with the X and Y- Wings and variants of the Enterprise.

They mixed the aspiration of escape from the bonds of gravity with the weight of tragedy that such aspira- tion can lead to. They were something between a pickup truck and the first real wave of space colonizers. Not that the two are mutually exclusive

The third to last shuttle mission is skimming the stratosphere as I write this, and the last one is due to launch in June. And then the US civilian space program will be reliant on private sector for space vehicles until at least 2015. Which, in a way, is progress.

But progress that doesn’t quite sit right. You want commercial haulers out there making space civilized, useful, and cheap enough that you might be able to hop out there for less than a decade’s salary. But there’s a need for ships of the line, and those come from the public masses.

Last month, Escape Pod brought you four stories, two of which will be republished here. Unfortunately we bought EP279: Conditional Love just before we started asking for ePub rights, as it was just nominated for the Nebula. Escape Pod knows all, but not always at the right time.

But we are bringing you the excellent David D. Levine’s Written On The Wind and the quite interesting Alex Dally MacFarlane’s The Notebook of My Favorite Skin-Trees. One’s about a bunch of aliens living together, mostly in peace, and the other’s about advertising in the near future.

We also did something a little special with the Written On The Wind episode, and you can read about it in the back of this month’s Soundproof.
Yours,
—Bill

Book Review: “Rough Beasts of Empire” by David R. George III


I’m really hoping that the Star Trek Typhon Pact tie-in novels aren’t going to suffer from the odd-numbered curse all the way through, because I don’t think I can handle spending another $8 on book five if it’s going to be as disappointing as Rough Beasts of Empire, the third book in the saga.

I had really hoped Empire would be great. After all, the author, David R. George III, wrote what was to my mind the best installment in the Lost Era, Serpents Among the Ruins (if you like Trek and you haven’t read it, you should rectify that situation immediately). George has also written other very enjoyable books in the Trek universe. But, unfortunately, this Typhon Pact novel just doesn’t cut it.

I’m usually a fan of multiple interlocking stories that come together at the end. I even liked Love Actually, despite the extremely-tangential way some of the storylines touched each other. But compared to Empire, that film’s stories were completely intertwined.

There are four distinct stories in Empire, and the only way to explain them is to keep them separate, like they are in the novel.

The Tzenkethi. As with the other Typhon Pact novels, Empire exists to show us a Star Trek race that we haven’t seen. The Tzenkethi are a merit-driven caste society of beautiful beings with no bones and a very unique approach to the use of floor (and ceiling) space. Their names are so complex that I can’t even remember what the main Tzenkethi character was called. Something with an A at the end. Anyway, this Tzenkethi was sent to be the Typhon Pact’s ambassador to Romulus, although she had a secret mission. Which was addressed so infrequently that I totally forgot about it until the very end.

Vulcan-Romulan Reunification. Spock is still on Romulus, trying to bring both sides together. This was by far the least interesting of all the storylines because, (a), we’ve been dealing with it in novels for far too long and, (b), we know it’s never going to succeed. It’s just an excuse to get a picture of Leonard Nimoy on the cover of the book. In any case, an assassination attempt is made upon Spock, which leads him to approach Praetor Tal’Aura* with a groundbreaking proposal.

The Romulan Senate. The Ortikant family, led by Gell Kamemor**, is heavily involved in the reformation of the Romulan Senate under Tal’Aura.

Captain Sisko. I firmly believe that this is the story George wanted to tell when he started writing this book. It is the most interesting, the most nuanced, and the most compelling. In the beginning, we see Sisko commanding the starship New York during the Borg war in Star Trek: Destiny. This actually happens before the first two Typhon Pact novels, which confused me at first, but I got over it. Anyway, after the battle, Sisko goes home to Kasidy and his family, but remembers that the Prophets told him he would only know sadness if he made a life for himself on Bajor. So he makes the questionable decision to leave Bajor and return to Starfleet. He is assigned a starship on patrol along the Romulan border, where he becomes Emo Sisko.

There’s also several minor sub-plots, including the return of a somewhat-overused-as-a-plot-device character, the summit between Empress Donatra and Praetor Tal’Aura, the observations of Senator Durjik, and an out-of-nowhere flashback to Sisko’s experiences during the last Tzenkethi conflict which completely pulled me out of the story.

The plots above only barely touch, and I don’t feel as though they were adequately tied together (especially Sisko’s, which only very slightly interacted with any of the others). I really feel this is two books — Sisko’s story, and the Romulan story. Unfortunately, I couldn’t really get into the Romulan story because it was too boring, and I couldn’t really get into the Sisko story because I can’t believe that Sisko would walk away from his family just because the Prophets told him to. I can think of at least three better ways to get Sisko into the story, and I’m probably not the only Trek fan who read “reunification” and thought “oy vey, enough already.”

I realize I’ve been pretty negative overall, but mostly what I’m negative about is the plot and the story. George’s writing is still top-notch, even when he’s dumping scads of exposition, and as with the other Typhon Pact novels there are plenty of hooks into other Star Trek shows and books that fans will remember and recognize. I just don’t think this book was interlaced enough with its A and B plots to really interest me; therefore, I’ll have to recommend that you give this one a pass and just read the spoilers online.

* You may remember her from Star Trek: Nemesis as the Romulan woman who left the Senate chamber just before everyone turned into stones and crumbled to dust.

* See Serpents Among the Ruins, where she was the chief Romulan negotiator on the Treaty of Algeron, best known for preventing the Federation from developing or using cloaking devices.

Escape Pod 281: The Notebook of my Favourite Skin-Trees

Show Notes

Show Notes:

  • Feedback for Episode 273
  • Next week… You go to a coffee shop.

The Notebook of my Favourite Skin-Trees

By Alex Dally MacFarlane

BANANA

The best part of these are the fruits, growing on their fat stem, dangling down the person’s back or from their arm. I always bow and smile, asking, “Can I taste one of your fruits? Bananas from a skin-tree are so sweet.”

So sweet and so small, a single mouthful.

I also enjoy the place where banana tree meets flesh, roots curving over and into the person’s limb — pressing my lips there, my tongue — and the small shade cast by the leaves.


Kim Cuc saw advertisements everywhere she looked in the walking street market, but only on the leaves of the skin-trees: names of shops and cafés and restaurants spelled out, Thai or English or other languages, in the bright white veins. Aside from the occasional cry from stall owners or vendors — “I have the finest grilled bananas in Chiang Mai! Come and taste!” — no other form of promotion cluttered the senses.

That had always been the intent of the skin-trees’ engineers and earliest supporters. Kim Cuc smiled often, seeing the remains of once-garishly lit billboards, or walls that several years earlier would have been covered in paper.

No smiles on this night.

(Continue Reading…)

2010 Nebula Nominees


Congratulations to everybody, and if you want to listen to two of them we’ve already podcast the ones with Love in the title — Conditional Love and I’m Alive, I Love You, I’ll See You in Reno. What this says about us or SFWA can be speculated on in the comments.

SFWA:

Short Story

Novelette

Novella

Novel

The Ray Bradbury Award for Outstanding Dramatic Presentation

  • Despicable Me, Pierre Coffin & Chris Renaud (directors), Ken Daurio & Cinco Paul (screenplay), Sergio Pablos (story) (Illumination Entertainment)
  • Doctor Who: ‘‘Vincent and the Doctor’’, Richard Curtis (writer), Jonny Campbell (director)
  • How to Train Your Dragon, Dean DeBlois & Chris Sanders (directors), William Davies, Dean DeBlois, & Chris Sanders (screenplay) (DreamWorks Animation)
  • Inception, Christopher Nolan (director), Christopher Nolan (screenplay) (Warner)
  • Scott Pilgrim vs. the World, Edgar Wright (director), Michael Bacall & Edgar Wright (screenplay) (Universal)
  • Toy Story 3, Lee Unkrich (director), Michael Arndt (screenplay), John Lasseter, Andrew Stanton, & Lee Unkrich (story) (Pixar/Disney)

Andre Norton Award for Young Adult Science Fiction and Fantasy

Genres:

Escape Pod 280: Endosymbiont

Show Notes

Show Notes:

  • Feedback for Episode 272
  • Next week… Horticulture, dermatology, and love

Endosymbiont

By Blake Charlton

“Do you know what day it is? What year?”

“It’s like mid August, 2017?” her voice squeaked. Jesus, had she really lost her mind?

“That’s right.” She smiled. “Don’t be scared. I just wanted to be sure.”

“What do you mean don’t be scared?” she blurted. “Sure about what? Jesus! How long have I been here? How many times have you seen me before?”

Jani held up her hand. “Slow down; it’s okay…I’m not an oncologist, but I’m following your case. The cancer responded well to the treatment. And our research suggests that the side effects are temporary.”

Stephanie started to protest but then stopped. A terrifying memory flashed through her mind. “Mom said they might take me to a hospital for the dead.” She didn’t know what that meant but the memory was clear. “She said you’d keep me here to fool me into thinking I’m still alive.”

Jani was holding up both hands now. “Slow down. The survival rates are scary but they’re far better—”

“You’re not listening. She said they’d take me to a hospital for people who’ve _already_ died. I have to escape before—”

Stephanie started to stand but Jani put a heavy hand on her shoulder and said “Lullaby.”

The word opened a bloom of orange light across Stephanie’s vision. A static hiss exploded into her ears, and she felt herself falling. There was a firecracker yellow flash and then…nothing.

Love’s Labours Won


So I haven’t posted here as much as I should, and hope to alter that in the next few weeks. There are things I know I should be writing about (Like, for example, Fringe. Which is a great, great SciFi show. It has heart and a parallel universe and an ancient and mysterious machine.)

But I’m breaking my silence today to relate onto thee, treasured listener, of a really cool thing I was able to facilitate the weekend before last.

A little bit back I got an email from Susan (aka Georgia), who lives in Washington, D.C. with her boyfriend Christie (aka Xie). (Yes, boyfriend. As Susan explained in an early email, “Australians have flexible ideas on what counts as a dude’s name.”)

Like many people who email me, she is a fan of Escape Pod. Unlike many¹ people who email me, she wanted Escape Pod’s help asking her boyfriend, Christie, to marry her.

They listen to Escape Pod together, and apparently Steve Eley fills a void in Christie’s life that others of us fill with Dan Savage or Dear Prudence. The relationship advice columnist void. Get your mind out of the gutter treasured listener.

So we did it, and awoke Steve from his deep slumber. And I spliced it quickly into a copy of EP278 Written On the Wind and sent our favorite robot speeding her way with it.

The text is below, but I’m sure many of you would prefer listening to Steve read it, so click here.

Hi, this is Steve Eley.  Rising from the deep for a special announcement.  There’s a lot going on in the world, but some things are more important than others.  Some of the most important things involve just two people.  Could be any two people, but let’s say two people from the United States and Australia.  Let’s say these two people are in love.  There’s almost nothing more important than that.

They’d have a lot of challenges, these two people.  They’d spend a lot of time on planes.  They’re in love, so it’s worth it.  And maybe they listen to Escape Pod on the plane.  Maybe when they’re together, they listen to Escape Pod together, too.  Making dinner, or walking the kitten.  It’s clearly not the most important thing, but anything two people do together can be special.  And if one of those two people asks us to help, with the most important question — that’s VERY special.  It’s special enough to bring me up out of retirement.  But what’s special is what you two have.

So.  Christie.  I’m talking to you.  Georgia wants to know: will you marry her?

We now return you to your regularly scheduled outro.  Have Fun — and I _hope_ you say yes.

And as Susan emailed me soon after:

He said yes. :) (Or rather… “Well if Steve Eley thinks I should, then of course I will!”)

Thank you so much. And give my thanks to every else too!

And Xie say thanks as well. He didn’t see it coming… He kept saying “that’s just like us!” until, finally, he realized it was us.

And we’re very happy for them both. Best of luck you pair of really hoopy froods.

¹Really, everyone else. So far.

Snow Day Reading


Quality science fiction short stories continued to accumulate online during the non-stop snow storms of the first few weeks of 2011. Even if you can’t make it out to a bookstore, as long as the power and net connections stay up, there are plenty of good stories to read. We’ve compiled a list of what some of the pro markets have published so far in 2011:

Abyss and Apex
Of Ambergris, Blood, and Brandy by J. Kathleen Cheney
A New Bridge Across the Lethe by Howard V. Hendrix
Mind-Diver by Vylar Kaftan
and more stories in their 1st Quarter Issue.

Apex
Close Your Eyes by Cat Rambo
Langknech and Tzi-Tzi in the Land of the Mad by Forrest Aguirre
The Itaewon Eschatology by Douglas F. Warrick
The Tolling of Pavlov’s Bells by Seanan McGuire

Clarkesworld
Diving After the Moon by Rachel Swirsky
Three Oranges by D. Elizabeth Wasden
Ghostweight by Yoon Ha Lee
Tying Knots by Ken Liu

Daily Science Fiction
On Paper Wings by Victoria Sonata
And several other stories added weekly

Lightspeed
Long Enough and Just So Long by Cat Rambo
The Elephants of Poznan by Orson Scott Card
Black Fire by Tanith Lee
Cucumber Gravy by Susan Palwick

Redstone Science Fiction
Like a Hawk in its Gyre by Philip Brewer
Fatherhood by Kristen Lee Knapp
Bloodtech by Rhiannon Held
Who’s Afraid of Wolf 359? by Ken MacLeod

Strange Horizons
The Third Wish by Joan Aiken
Pinion by Stellan Thorne
The Space Between Stars by Cassandra Clarke
Source Decay by Charlie Jane Anders

Subterranean
A Long Walk Home by Jay Lake
The Boy Who Followed Lovecraft by Marc Laidlaw
And other stories in their Winter Issue.

Tor.com
Beauty Belongs to the Flowers by Matthew Sanborn Smith
Making My Entrance Again With My Usual Flair by Ken Scholes

And, of course, you can find EscapePod’s fiction gathered together here.

This is just the tip of the iceberg of science fiction stories that are freely available online. Support these sites, their editors, and most importantly these writers by visiting these sites, donating support to them, and checking out their advertisers. Access to quality new science fiction online is a relatively recent development, and we want to see more of it. All these stories are out there, right now, waiting for us. Enjoy.

Genres:

Escape Pod 279: Conditional Love

Show Notes

Show Notes:

  • Serious apologies – circumstances this week had me recording later than usual.
  • Feedback for Episode 271
  • Next week… A longer piece by Blake Charlton

Conditional Love

By: Felicity Shoulders

The new patient was five or six years old, male, Caucasian, John Doe as usual.  Grace checked the vitals his bed sensors were feeding her board and concluded he was asleep.  She eased the door of 408 open and stepped in.

The boy’s head was tilted on his pillow, brown curls cluttering his forehead.  Sleep had flushed his cheeks so he looked younger than the estimate.  He seemed healthy, with no visible deformities, and if he had been opted for looks, it had worked—Grace would have described him as ‘cherubic’.  He wouldn’t have been dumped if nothing was wrong, so Grace found herself stepping softly, unwilling to disturb him and discover psychological conditions.

“Don’t worry about waking him, he sleeps pretty deep.”

Grace started and turned to the other bed.  “Hi, Minnie.”

The girl grimaced.  “I go by my full name now, Dr. Steller.”  Grace brought up her board to refresh her memory, but the girl said, “Minerva.  Had you forgotten they’re doubling up rooms?”

“Yep, you caught me.”

“Is the rise in numbers caused by a rise in opting?  Or is it a rise in surrenders, or arrests of parents?”

“Lord, Minn—Minerva, I don’t know.  Planning to be a reporter when you grow up?”

“No, a scientist,” Minerva said and smiled, pleased to be asked.

“Why the scalpel-edged questions then?”

“Just curious if my campaign had had any effect,” Minerva said, nodding toward the window.  The billboard across from the Gene-Engineered Pediatric Inpatient Center flashed a smog warning, then a PSA about eye strain from computer visors, but Grace remembered when it had borne a static image:  Minnie, one year old, a pink sundress exposing the stubs of her arms and legs.  _Babies should be born, not made._  The ad had stayed up until Minnie was eight, three years after her parents turned her over to GEPIC, and apparently she had seen it.  She was twelve now, with serious eyes and a loose ponytail, dark blonde.

Book review: “Zero Sum Game” by David Mack


In the summer of 1988, my mom picked my sister and me up from our summer camp and said that my dad had gotten hurt at work (his foot) and was in the hospital. We were going to go see him, but since we’d be there for a while, she’d take us to the bookstore first. I remember picking out a book, and then on the way to the front, I noticed a whole shelf of Star Trek novels. I grabbed the one with the coolest cover.

That was my first exposure to non-YA genre fiction. The book was Diane Duane’s My Enemy, My Ally, still one of my favorites.

Since then, I have read hundreds of Star Trek novels across all five series. I used to read every single one, but now I pick and choose. I’ve been pretty judicious lately. However, I decided I’d give the Typhon Pact novels a try, and started with the first one, David Mack’s Zero Sum Game.

Although marketed as a Typhon Pact novel, Zero Sum Game is really a DS9 book at its heart. It also kind of requires that you’ve read the Destiny trilogy so you know about the characters, and that you’re at least aware of the events in Keith R.A. DeCandido’s A Singular Destiny (read the spoilers; I found the book kind of boring and Mary-Sue-ish). For those who aren’t: Ezri Dax is now the captain of the starship Aventine, and her crew contains folks from DS9 and TNG — including Simon Tarses. The Typhon Pact is a group of traditional Trek enemies that formed in the wake of the Borg invasion chronicled in Destiny; it includes the Romulans, the Tholians, the Gorn, the Breen, the Kinshaya, and the Tzenkethi. I seem to remember the reason for their creation as being pretty flimsy, but that’s neither here nor there. It seems as though the Typhon Pact novels are going to humanize Trek enemies who haven’t gotten a lot of play over the years. First up, the Breen, who speak in machine language and whose faces have never been seen. In the DS9 years, the Breen allied themselves with the Dominion, and that’s really about all you need to know.

In Zero Sum Game, Starfleet Intelligence has learned that the Breen are developing a slipstream drive to rival the Federation’s fastest propulsion technology, which is installed aboard the Aventine. Dr. Bashir, who has done a few missions for SI in the past, is tapped to infiltrate the Breen because he is genetically-enhanced, thereby giving him the ability to learn, process, and react faster than your average SI agent. His briefing is conducted by the other enhanced individuals Bashir met during DS9, including Sarina Douglas, with whom he’d fallen in love at one point. He agrees to go on the mission, with Douglas as his partner, and after an overly-convoluted plan to get them inserted into Breen space on the correct planet, they get their — and every Trek fan’s — first view of what the Breen are really like.

And that is, by far, the best part of the book. Not the action sequences, not the narrow escapes from death, not the way Douglas overcomes her captors or Bashir fights moral battles with himself over killing, and definitely not the B-plot of Dax trying to keep the Aventine on the Breen border so they can pick up Bashir and Douglas when their mission is complete. All of the plot and action is average Trek, and there’s actually quite a lot of improbable goings-on that seem to work out perfectly for our heroes. Even the ending is pretty unbelievable, and the coda wasn’t as surprising (to me, anyway), as I think it was intended to be.

But the Breen… ah, the Breen. I’d hate to spoil it all by saying everything Mack came up with to make them interesting, but the reason they really wear those masks and armor is almost worth the price of admission. As with many Trek novels, there’s plenty of space to explain and describe things that just can’t be covered in a television episode, and Bashir and Douglas’s mission to the Breen world is enough to fill a couple of episodes by itself.

The novel is $8, whether it’s electronic or paper, and I’m quite pleased that Mack writes such long stories because there’s almost nothing that annoys me more than paying $8 for something that’s only 225 pages with large print and big spaces between the lines. While all Kindle books use more or less the same font size and kerning, Zero Sum Game is 352 pages in print, so I definitely didn’t feel cheated by paying $8 for it. However, after the heart-wrenching character deaths in SCE: Wildfire and the sweeping grandness of Destiny — probably the best cross-series saga available in the Trek universe — I felt a little let down by Zero Sum Game. I’ll still read Mack’s next book, because he can easily reach the bar he set with Destiny, but I don’t feel as though I needed to read this novel the way I needed to read Destiny or Invasion or The Lost Era.

A few last words on the Typhon Pact miniseries: I happen to be the kind of person who can’t stop reading a series once it’s started, so I’ve already bought the second in the miniseries. It’s the Titan entry, and I happen to enjoy the Titan novels — they seem to have taken the mantle of the single-episode novel that TNG and TOS used to have, back in the day. I also understand the concept of needing a Big Boss now that the Borg are out of the picture. I even understand wanting to show us the Trek races we don’t know very well and humanizing them so we sympathize. But I’m not sure the Typhon Pact is a credible enough enemy, and I don’t fear them the way I feared the Borg or the Romulans. Where these books will shine is the exploration of the lesser-known enemy races, and also in the interactions between characters. Mack wrote Dax’s crew as a cohesive unit, and I don’t remember if he invented Lieutenant Kedair but she is definitely an interesting addition to the cast; the way he showed us the Breen was also quite well-done. So far in Book 2, I’m learning quite a bit about the Gorn.

I think my problem is that I’m just not as excited about these books as I was for Destiny, or for new entries in New Frontier, or even for stand-alone Trek novels like in the 90s and early 2000s. And I think that really does a disservice to both Star Trek and to the novelists they’ve tapped to write these books — Mack, Michael A. Martin, David R. George III, and Dayton Ward, who have written some really great Star Trek fiction in the past. Perhaps when taken as a whole, after I’ve read them all, the Typhon Pact miniseries will feel like a complete storyline and I’ll feel better about recommending the entire series. But not yet.

Book Review: “Kraken” by China Mieville


When China Mieville’s The Scar — still my favorite book of his — came out, I was working for an over-the-air sci-fi-themed radio show which shall remain nameless. They booked an interview with Mieville, and as the board-op, I called him (I’m guessing at his hotel in Los Angeles or wherever he was), thanked him for being on the show, and potted him up when it was time for him to go on. The hosts talked to him about the novel, which was noteworthy to them I guess because it had a vampire in it. After about 15 minutes, they thanked him, and it was over*.

Mieville’s latest novel, Kraken, is about a giant squid in the same way The Scar is about a vampire.

Kraken is an extremely difficult book to summarize; Mieville’s plots often are. So instead I’m going to link you to this review by The Guardian. Their one-sentence precis is quite masterful:

Following the quest of museum curator Billy Harrow to recover his mysteriously vanished prize exhibit, the giant squid Architeuthis, Kraken plunges Billy and the reader into an alternative London of cults and magic.

Now that you know that, here’s what I liked (and didn’t) about the book:

When I first started reading the novel, I have to say I was — quite sadly — disappointed. Not with the content or the ideas, but with what I perceived to be the novel’s generic nature. It had many of the hallmarks of a fantasy story, and while each element was quite interesting… well, a $1000 hamburger at a gourmet restaurant still looks like a hamburger. To wit:

  • The main character, Billy Harrow, is about 30, intelligent, a little geeky (but not too much), and non-violent. Stuff happens to him. Eventually he takes control of that stuff.
  • Dane is a guard who is the key to the world of weird, and while our MC didn’t like him at first, it turns out he’s quite an important character.
  • There’s a trio of policemen who want Billy to work for them, and they come off kind of like Smith in the first Matrix, but it turns out that, hey, they’re not all bad.
  • Wisecracking female cop who knows more than her colleagues? Check.
  • Small god who is very helpful but can’t actually do anything.
  • This is the big one, the one that really ripped it for me: while the Big Bad Guys are the usual sort, it seems like most urban (or regular) fantasy contains two guys who speak with a funny patois or patter to their speech, are ruthless, love their jobs, and are feared by everyone. Yep. They’re totally there. And they commit murder and inventively-violent ways which, to me, seemed far too over-the-top even for Mieville, who, in the past, has had the arms of a dead child grafted onto its mother’s face as a form of punishment.

After the first 100 pages or so, I got into the swing of things and the generic feel of the characters went away. The use of conventions makes sense — it allows a fantasy reader to jump right into the world through the use of familiar characters, and casual readers are able to map character types onto the kind of characters they’re used to in, say, political thrillers or romantic comedies, thereby making what is often a very tough book to read just slightly easier.

And make no mistake: this isn’t the easiest book in the world to read. Mieville knows a lot of words, and he makes no bones about using them all — and not just in the order you’re used to. His writing is almost gymnastic in nature, and it forces you to pay attention to every bit of it in order to ensure you don’t miss anything. It’s really tough on those of us who are quick readers. He also continues to use very visceral and phantasmagoric verbal imagery — something I noticed in the New Crobuzon books — and, while it adds strength to the storytelling, sometimes it just gets tiring to have to think so hard about the words, instead of what they’re saying. (For example, when the Final Boss is revealed, and the monologue is given, I had trouble remembering the various clues that were given throughout the rest of the story as the Final Boss explained them.) I don’t mind working hard to read a book, but it can be too much from time to time.

I really enjoyed the book’s humor and genre awareness — for example: if you give a Star Trek fan the magical power to teleport, of course he’s going to beam everywhere he can. And speaking of Trek, one of Billy’s primary weapons throughout the novel is his phaser. It really works. In some places, Mieville basically says “yeah, this genre convention is crap, here’s how it really is when a magical practitioner does it”. That works too. One of his strengths is that every little bit of the world is fully-realized, which means the novel is packed full of little moments of win.

Also on the positive column is the sheer amount of cool and different powers the denizens of London possess. Smoking reality, teleportation, burning something so thoroughly it never even existed, creating a demonically-possessed iPod… there are dozens, and they’re all interesting. As are the end-of-the-world cults and the weird religions, the Embassy of the Sea, and the penultimate Boss Fight (think Jenova, with the final boss being Sephiroth).

Kraken is Mieville at his creative best, building a detailed and immersive world with a complex and layered plot that — in this case, quite literally — could mean the end of the world. The novel certainly has its flaws, as I noted above, but it’s definitely a good story, exciting and enjoyable to read. It’s no The Scar, but I think it’s a better book than The City and The City (which I didn’t really enjoy that much). I for one would’ve preferred another visit to New Crobuzon, but this is almost as good.

So, if this book’s just sitting on your bookshelf, gathering dust, perhaps it’s time to —

— oh, yes, I’m going there —

RELEASE THE KRAKEN!

funny dog pictures-Release the Kraken!

* One would think the guy who had actually read the first novel in the New Crobuzon cycle might have helped in the prep for the interview. But that didn’t happen. If only I’d known how big a fan of Mieville’s I’d become, I’d have gotten in on the ground floor there.