Artemis Rising 3


Artemis Rising 2 web

 

Artemis Rising returns in March 2017 across all four Escape Artists podcasts! Celebrating its third anniversary, Artemis Rising will be a month-long showcase of stories by women and nonbinary authors in speculative fiction.

Escape Pod is seeking original science fiction with a length of 2000 – 6000 words and will be open for Artemis Rising submissions during the month of September 2016. Anyone who identifies as a woman, to whatever degree they do, and non-binary authors are welcome and encouraged to submit a story.

Payment, rights, and manuscript format will be the same as specified in our general guidelines, but Artemis Rising will have a dedicated submissions portal.

As always, Escape Artists strongly encourages submissions from people of backgrounds that have been historically underrepresented or excluded from traditional science fiction, including, but not limited to, people of color, LGBTQ authors, persons with disabilities, members of religious minorities, and people from outside the United States. Our goal is to publish fiction that reflects the diversity of humankind, so we strongly encourage submissions from these or any other underrepresented groups.

The Escape Pod Artemis Rising submissions portal will open on September 1, 2016. We look forward to reading your stories!

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Escape Pod 537: Honeycomb Girls


Honeycomb Girls

by Erin Cashier

Those were the days Geo couldn’t walk through the market without stepping on someone else’s shoe. If money wasn’t tied to waist it was zipped, and anything dropped — paper, panks, crumbs — zipped too. Geo sold junk there: stripped wires, sharp green-squares, transistors like pills. “Someone junk, someone treasure!” Geo call. Men come over to see what Geo had, comb over findings, and Geo with stick, ready to slap at zippers. Stand all day, stand half night, then walk home to hard mat shared on second floor. Kick junk man out, eat food, sleep, till day begin again.

Geo hunt for junk at old places when junk run low. Sometimes old posters hidden from rain. Posters show things that not there. Happy men, metal cages. Men touching screens. Men smiling. Like said, old posters. No smiles now.

And sometimes, girls. Some cut out, but see where shape was left. Cut here, tear there. Reach out and feel where maybe curve had been. Hold nothing in hand. Imagine, if no one watching. Geo knew girls. There, but not there, like the sun, Never touch the sun, and never touch the girls, neither.

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Escape Pod 536: Prophet to the Dogs


Prophet to the Dogs

by Bethany Edwards

A long time ago, in another life, when there were so many billions of us that 382 of them were small change, I worked in an office building. I was the graphic designer for a community arts magazine—circulation 382—on the top floor.

Across the street from this office building was a tiny, nameless park. It contained a few trees, some scraggly bushes, four benches, and just enough grass so that people thought they could hide their cigarette butts in it. I would always put my butts in the trashcan on the corner like a civilized person, but no one else ever took after my good example.

Despite being small, the park attracted a very diverse crowd. People in my building took their lunch break there, college students read or tapped away on their devices, teenage skateboarders attempted to skid across the backs of benches, moms let their young kids burn off some energy, and homeless people curled up with their dogs in the evening.

But by far the most interesting people in the park were the protestors. There were no huge corporate or political headquarters in that part of town, so we didn’t get organized protestors. We got lone Don Quixotes, tilting solo at the windmills of modern evils. They were usually spreading the message that the end was nigh if we didn’t stop global warming or come to Jesus. I got a big kick out of them when I first started my job, but over time they all faded into the background of my everyday life.

Until the day I noticed the “YOU ARE ALL F&@^%D” girl.

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Escape Pod 535: Bluejay


Bluejay

By Edward Ashton

Micah steps from the shuttle and onto the tarmac, eyes slitted against the hard north wind that whips across the empty runway. The sky is a flat, leaden gray, with high thin clouds too light for snow, but too thick to let the sun come through as anything more than a vague, diffuse glow near the southern horizon. Micah hunches his shoulders against the bitter cold, ducks his chin to his chest, and pulls his coat tight around him. He hesitates, glances up at the desolate stand of dead trees at the far end of the runway, then walks slowly toward the terminal building.

A sense of uneasiness, which has lurked deep in his belly since he boarded the shuttle, grows steadily as it becomes increasingly clear that he’s alone here. He hadn’t expected an honor guard, but he’d expected… something. As he reaches the terminal entrance, he looks back to see the shuttle wheel around and accelerate back down the runway. He pauses with his hand on the door. He can see through the glass that a half-dozen bodies are sprawled on the floor inside, perfectly preserved. He takes a deep breath in, then lets it out slowly as he enters the building. The scream of the shuttle’s engines fades as the door swings shut behind him.

As he climbs the frozen escalator to the arrivals lounge, Micah remembers the last time he passed through this airport. It was years ago, and he’d been on his way to visit a distant cousin in the North Country. He remembers stopping for a drink before heading to the rental car counter, intending to stay only long enough to take the edge off before a four hour drive, but instead spending most of the afternoon drinking crappy domestic beer and trading double entendres with the bartender. She was tall and lean and blonde, not young, but not yet old either, and her smile caught and held him long after he should have been on the road.

She’s dead now, of course. Lake Ontario was the epicenter. When the strike came, it was twelve thousand miles in any direction from here to safety.

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Escape Pod 534: Joolie and Irdl

Show Notes

At the end of the show, there were excerpts from a speech given by President Barack Obama 4 days after 49 people were executed in a shooting rampage in Orlando, FL, USA which you can see in full here: https://youtu.be/QMvxpyeq6xU


Joolie and Irdl

By Sandy Parsons

The first time Irdl heard Joolie sing his pollinators stiffened under their leathery sheath. He’d had to switch from his walking legs to his squatters to remain upright. She was oblivious as he fell in behind her. She sang a human song, logical enough, being a human. He recognized the words, even though she added extra syllables, as if she’d sucked the words down her windpipe and divided them into their component parts before sending them back on achingly sweet vibrations formed from her full lips. As she sang, she plucked dry bits of moss from the grassy wall and disappeared around a corner.

He began to look for her after that. He’d catch sight of her hair first, because it rose above her. She carried a basket and a small set of silver tools, tweezers and scissors and a scoop, and he soon realized that he was jealous of them, for they were caressed by her dark fingers. He did a little searching and discovered that her job was to maintain the moss that kept the station’s gas balance in check. He petitioned Pung to let him change his lunch hour so that he might better align his schedule with hers. She didn’t always sing as she clipped and tugged and sprayed the furry walls, but the damage had been done. Irdl was smitten.

He squeezed in behind her on a gyro-shuttle. The shuttle was full, so the usual rules about personal space could be forgiven a little. He let one of his overhanging appendages rest so that the tip floated amongst her crown of wiry ringlets. She turned around, more inquisitive than annoyed.

“Excuse me.” He intoned the words with as much human inflection as his mandibles allowed, and retracted the arm. She nodded as if mollified and started to turn back. He added, hastily, “Your dreadlocks are lovely.”

“I don’t have dreadlocks.”

“Pl- Please forgive me. What do you call them, then? I am unfamiliar.” He winced inwardly at playing the alien card, at least so soon. He usually waited until he got them back to his hammock.

“It’s just my hair.” She gave her mane a little shake, and the flesh of her arms and the swell of her breasts shook where they were not confined by her cleensoot. She must have seen something in his gaze, although he couldn’t be sure what, or even hope, but she said, “You can touch it if you want.”

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Escape Pod 533: 2016 Flash Fiction Contest Winners


Bona Fide

by Ben Hallert

The block’s turning into a rough neighborhood, the kind of place murder victims go to hang out.  It’s nasty and dirty but it’s home.  What’s got me pissed isn’t a little trash, it’s these stupid glasses everyone’s wearing.  Government wastes money on them instead of doing their goddamn jobs, drives me nuts.  The worst part: that dumb smile.  You know the one.  Bunch of fakers, walking around smiling at all the filth like it’s high art.

“Hey man, forget your specs?”  Crap, a cornerboy snuck up on me because I wasn’t paying attention.  He holds out a set.  “Free pair.”

“I pay my taxes, boy, it’s not free.  Bug off.”  I keep walking, the pest follows.

“Ok, then you’ve already paid.”  He waves ’em again.

“I don’t want ’em.  My taxes should go to REAL cleanup and maintenance, not…  those.”  I stop, point.  “They’re insulting, I’m not interested in fantasy.”  I walk again, faster.  The boy keeps pace, switching to that infuriating ‘reasonable tone’ parents use when they’re trying to con kids out of being monsters.  I don’t NEED to be handled, I just want him gone.

“Look guy…. if you don’t take these, someone’ll try again later, then again after that.  Might as well get it over with.”  He brightens.  “Hey, you can just turn off the overlay if you want, you know.”

I slow.  “I can turn ’em off?  And you’ll all leave me alone?”

“Sure, you can turn off any enhancement.  Click your tongue twi-”

“Yeah, I’m not a caveman.”  I grab the set.  “Ok, you win.  Go bug someone else.”  I scowl at the glasses as he leaves to find his next mark, then put ’em on.  Everything around me changes.

I ignore the pretty lies and start configuring.  I know if I don’t, the slums’ll look like new construction, the garbage in the street’ll be gone, and everyone’ll have the bodies of freakin’ supermodels.  After a minute, I’ve got honest, dingy reality back.  I’ll take true filth over fake clean anyday, but… everyone still has that dumb smile. I want to scream “It’s not real!  It’s a lie, they’re faking you out and you’re buying it!”  I want to, but they say I sound like a crazy person when I drop hard truths so sometimes I don’t.

They don’t care.  They get their shiny buildings and pretty people and nobody has to DO anything for it.

Well, at least the cornerboys’ll stop hassling me.  I squint, it’s bright out.  Re-open the editor, make ’em sunglasses.  Not bad.  For funsies, I flip one of those idiot mouths upside down.  Oh, this is rich, the simp looks so messed up.  I flip a setting so everyone’s like that.  That’s better, now I don’t have to look at the grins anymore.

Fine.  They can have their illusions, I’ll stay in the real world.  I know the score, I’ve got my integrity.

I keep walking, the last honest man in a world of lies, and I smile.

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Escape Pod 532: Saints, Beasts and Zombies


Saints, Beasts, and Zombies

By Gary Kloster

The kids ambushed me on the west side of the camp, near a line of abandoned latrines. Every time they hit me I gasped for breath, and sucked in the reek of old shit.

“Worthless. Everything you got.” A kick thumped into my ribs, driven by lazy contempt, not bone-cracking rage. “Why do you only bring toys here, gringo? You want the little girls to play with you? Or do you like the little boys better?”

The boy bared his teeth at me, lips twisted by an old scar, and his gang laughed. A dozen dirty little scarecrows, the youngest maybe ten, the oldest maybe fifteen. Gangs like this crept around the edges of the Minchin Refugee Camp like feral dogs, fearful, curious.

Vicious.

I’d watched them, boys choking on machismo and desperation, making fun of the peacekeepers as they passed. Listened to them taunt the girls. I’d hated seeing how this place wasted them, turned them small and stupid and angry.

Now, face down and hurting in the dirt far from the center of the camp and the protection of the peacekeepers, I just hated them.

“You come back, you better bring something better than toys. Or we won’t be so nice.” One more kick, and I managed to roll enough so that it caught me on the shoulder and not the head.

They walked away, laughing. They had my coat, my cell phone, and my satchel full of Qbooks. The phone was a burner, with less than an hour left to it. The coat was cheap, but I’d miss it on the walk back through the Andean night. The Qbooks, though…

Their loss hurt me more than the kicks to the ribs.

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Escape Pod 531: Bend Back the Shadows


Bend Back the Shadows

By Michael Reid

Month 669, Day 10

When I was a little girl, Grandma used to tell me scary stories about the day the lights went out on Earth. Back then, she said, there were lots of people on our station. People would come and go from Earth all the time in little gray capsules. And then, one day, the capsules had stopped coming. Soon after that, the messages had stopped coming on the radio. Everyone on the station had hovered by the windows like ghosts, watching day after day as plumes of smoke erupted from the hearts of the cities, their trails snaking across the continents.

“But that wasn’t the worst of it,” Grandma would tell me. “Not by a long shot.”

“What was worse?” I asked her once, between lessons on medicine and aquaponics.

Grandma looked away when she spoke. “The worst part was watching the night sweep across the Earth and seeing that the darkness was empty. No more lights. Just shadows.”

Grandma used to live down on Earth, a long time ago. She was a doctor–a brain doctor. She said that one of the reasons she came up to the station was to see Earth from space with her own eyes. She loved the day side with its browns and greens and blues, but I think she loved the lights on the night side even more. I’ve seen pictures from back then, back when the whole Earth was covered with cities that glowed yellow at night. The pictures reminded me of the diagrams of neurons Grandma used to show me on her slate: nuclear cities connected to dendritic suburbs, all bound together by axonal highways. Then the end had come. Night after night, the web of neurons had disintegrated, like a brain consumed by Alzheimer’s. Grandma and the others had watched it all happen, watched each city flare brightly for a few seconds, then disappear forever.

Our station orbits Earth once every four hours: two hours over the day side and two hours over the night. Grandma said that, every time the station caught up to the night, she would go to a window and pray that there would still be lights. One orbit, she had gone to the windows and there had been only one light left on the whole dark side of the planet. One tiny light, smack in the middle of the big continent–Africa, it was called, when there were still people on it. Orbit after orbit, she watched for that spot, prayed the whole time it was in daylight that it would still be there when the night returned. She would wish on it like an ember, praying for it to spark and spread. But one day, less than a year after the last capsule had come to the station, darkness swept over the place where the light had been and the light was gone.

Grandma said that was the single worst day of her life. Worse than leaving Grandpa behind on Earth. Worse than watching the city where he lived go dark. Worse than watching all those plumes of smoke circling the planet. She said watching that last light be engulfed by the shadows was more fearful than losing all of the rest combined. “But it won’t always be this way,” she told me. “Someday those lights are going to come back. Someday you’ll see just the tiniest flicker down there, but that one tiny flicker will spread and soon it will bend back all those shadows.”

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