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Escape Pod 624: Fandom for Robots


Fandom for Robots

By Vina Jie-Min Prasad

Computron feels no emotion towards the animated television show titled Hyperdimension Warp Record (超次元 ワープ レコード). After all, Computron does not have any emotion circuits installed, and is thus constitutionally incapable of experiencing ‘excitement’, ‘hatred’, or ‘frustration’. It is completely impossible for Computron to experience emotions such as ‘excitement about the seventh episode of HyperWarp‘, ‘hatred of the anime’s short episode length’ or ‘frustration that Friday is so far away’.

Computron checks his internal chronometer, as well as the countdown page on the streaming website. There are twenty-two hours, five minutes, forty-six seconds, and twelve milliseconds until 2 am on Friday (Japanese Standard Time). Logically, he is aware that time is most likely passing at a normal rate. The Simak Robotics Museum is not within close proximity of a black hole, and there is close to no possibility that time is being dilated. His constant checking of the chronometer to compare it with the countdown page serves no scientific purpose whatsoever.

After fifty milliseconds, Computron checks the countdown page again.

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Escape Pod 623: Surveillance Fatigue


Surveillance Fatigue

by Jennifer R. Donohue

Is this woman a terrorist? It’s my job to decide.

My typical first step is social media, before I delve into the emails, the school records. Fortified with overbrewed office coffee, I take an afternoon and read through all three years of her 140-character thoughts, brief conversations with other users, occasional pictures. We’re encouraged to have our own process, and my entire workload, the entire organization’s workload, takes place on glowing screens large and small. We are constantly reading, listening, watching, bionic earbuds ensconced, AR glasses feeding us a constant stream of information. At the end of the day, we stumble out into natural light like people waking from a dream. The building which houses the organization is officially something too boring to look at twice, data storage or legal processing, office upon shell office of generic secretaries designed to deflect public inquiry.

She seems to like mystery books and horror movies. Here, I diverge to the school records. Drama club in high school. She majored in Communications and got good letters of recommendation from her professors. Moved to a city where she knew no one and got hired on at the temp agency. Maybe it’s her new friends which have put her on this list, writers and artists who still photocopy zines in fluorescent-lit shops, trimming them crookedly and stapling them together to hand out at open mic events.

Her government ID photo is serious, dark skin a stark contrast to the mandated white shirt, hair braided back, smile strained and not reaching her eyes. Her government ID does not reflect who she is; few do. She posts a lot of selfies, though. Far more than I do. There is an official metric of normalcy based on how many selfies one takes and posts and I, like my coworkers, try to do slightly more than minimum so as not to stand out. Of course, we’re graded differently, because we’re in the know. We are not to take this to mean we are immune to scrutiny. The opposite is true.

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Flash Fiction Contest – 2018 Edition – Landing on April 15!


Escape Pod’s Flash Fiction contest returns to the Solar System this year, and it lands on April 15!

Submissions will run from April 15-30, 2018, via this link on Submittable:

https://escapepod.submittable.com/submit/52382/escape-pod-flash-fiction-contest-2018


To be a valid submission to the contest, each story must adhere to the following rules:

  1. The story must be no more than 500 words long, not including its title. Do not use the title to skirt around the word count. Word count will be determined using Google Docs.
  2. Each author may submit only ONE story.
  3. The story must adhere to the general Escape Pod submission guidelines. Most importantly, it needs to be a science fiction story; other genres, including horror and fantasy, are discouraged. As a general rule, we will take a very liberal view of what constitutes science fiction, but authors should note that experience shows that stories that attempt to skirt the genre restriction tend to fare badly in the voting.
  4. The story must be original and previously unpublished. Stories will be posted on a members-only portion of the forum (http://forum.escapeartists.net/index.php), so first publication rights will not be spent if your story does not win. If you are not sure whether your story counts as published or not (for example, if an earlier version has appeared on your blog but nowhere else), please write (PM or send a query to eytan@escapeartists.net with the subject line “QUERY”) and ask before submitting. Please do not submit stories that have been entries in a previous Escape Artists contest.
  5. The person submitting the story must be the story’s author (or acting for the author with express permission) and hold full publishing rights to the story. A story that is derived from a previously published work in another format (i.e. not a short story) is fine (assuming doing so isn’t in violation of copyright, obviously).
  6. The story must be submitted in its final form, as the author intends it to be read by the voting public. We may or may not allow minor typo corrections if those slip in, but as a general rule, we will not allow authors to submit changes to stories, especially not after submissions are closed.
  7. The title and the text must be included in the body of the submission. Any byline will be stripped when the stories are posted in the contest, and will be revealed when either the story fails to advance, or ultimately wins. Feel free to request a pseudonym for the byline, but we will need a legal name if you win for prize purposes.
  8. Authors under 18 are welcome. By submitting, any author under 18 asserts they have obtained the permission of a parent or guardian with whom Escape Artists, Inc. can enter into a contract on behalf of the author.

Winners will be paid $30, making this a pro sale of at least six cents a word.

Please blog, tweet, email, send postcards, telephone, summon demons, and otherwise get the word out.

 

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Escape Pod 622: Anna and Marisol in Time and Space


Anna and Marisol in Time and Space

By Tim Pratt

The big day came, and Anna was tempted to tie up Marisol and stash her in the closet just to be safe, but instead she put on her makeup and her pale blue gown (it was prettier than she remembered) and called, “Marisol! Are you making a whole new dress from scratch in there? We gotta go!” just like last time.

Marisol emerged from the bedroom, sliding a dangly earring into place, and even with everything on her mind, Anna stopped and stared and took her partner in: those pale green eyes so striking against the darkness of her skin, her long black hair, her dress patterned with tiny flowers and ruffled at the hem, made elegant both by Marisol’s craftsmanship and because she looked good in everything, basically. How many hours had Anna spent staring at photographs of that face? “Oh my god, let me get a picture.”

Marisol rolled her eyes. “I thought you were worried about being late?”

“It’s not my fault you look this good. I didn’t account for a hotness delay.” Marisol snorted laughter, and Anna’s phone snapshot caught her at the perfect candid moment: happiness frozen forever in pixels. Anna looked at the screen. The picture wasn’t exactly the same, but it was probably okay—

Marisol tapped her on the arm. “I’m flattered, babe, but you can gaze upon my splendor later.” They grabbed the wedding gift bag and pelted down the stairs and out the lobby door to the street. Their timing was perfect, anyway: the car Anna had summoned pulled up, shiny and black, just as they reached the curb. They slid into the back, adjusting hems and getting comfortable: it was about a twenty-minute ride to the park where Del and Kelsey were getting married.

“The first of the college cohort to fall,” Marisol said. “How much do you want to bet they set off a domino chain reaction thing among the guests? We’ll probably have to go to ten weddings next summer.”

Better than ten funerals, Anna thought. Or thirty. She checked her purse for the thousandth time. She knew it was in there, and she knew it worked—she’d tested it extensively—but she couldn’t help but worry. You only got one second chance.
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BREAKING! Escape Pod is a Finalist for the Hugo Award!


We are thrilled to announce that Escape Pod is a finalist for the Hugo Award for Best Semiprozine! We are so grateful to those who nominated us as well as our whole team, who work so hard to put together this podcast week after week. Not to mention the amazing authors who have trusted us to bring their stories to audio.

Here’s a full listing of the 2018 ballot: https://www.tor.com/2018/03/31/2018-hugo-award-finalists-announced/

Congratulations to all of the finalists!

Currently, Divya, Mur, Benjamin, Tina, publishers Alasdair and Marguerite will be attending WorldCon in San Jose.

Thank you from the bottoms of our heart for your support!

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Escape Pod 621: Assistance (Artemis Rising)


Assistance

By Kathryn DeFazio

“Would you like to discuss your coping plan?”

Astor did not want to discuss their coping plan. They didn’t want to think about their coping plan, or the trip itself, or the airport, or the subway, or— “No, thank you.”

“Do you think it would be—”

“Manual override.” Astor sat heavily in the armchair.

“Hmm.” The little android tilted its head slightly. “I’m sorry, Astor, I don’t understand the command. Could you rephrase?”

It had been worth a shot. “Never mind.”

“The value of coping in advance allows you to prepare for the most likely scenario and therefore decrease feelings of helplessness and fear. Would you like to discuss your coping plans?”
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Escape Pod 620: Promise (Artemis Rising)


Promise

By Christi Nogle

Brochures fanned across the lace tablecloth in Grandma’s dining room. Up close, I saw the recruiter’s immaculate makeup starting to crack, the silver showing against auburn at the part in her hair. She slanted forward with briefcase on knees and weight on the balls of her feet. I was meant to think she’d bolt and that I’d lose my chance, which made me wonder why she was so desperate.

“An innovative, community-owned academy.” The paper was thick, graphic design on point with a subtle white font over a background of the canyon at sunset. The recruiter dropped names I only pretended to know, graduates who were making waves in the gaming industry, townspeople treating academy kids like a semi-pro sports team. I tried to trust the images on the brochures and turn off the signals I was getting from her.

Grandma’s eyes welled. To her question of how many from my class, I told the truth: “Just me. I think I’ll be the first from town.” It wasn’t just the town. I’d be the first from our state.

I signed, spent the next six months sure that it was a scam. Then I had two weeks after graduation to shop and pack and part from Grandma, nearly weeping. I fit in a few last dates with Jack before it was all over. Then it was the bus to the plane and the wait in a tiny airport until all of our planes had come in and the academy shuttle picked us up in the dark. Each leg of the trip was like another six months.
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Escape Pod 619: A Study in Symmetry, or the Chance Encounter of an Android and a Painter (Artemis Rising)


A Study in Symmetry, or the Chance Encounter of an Android and a Painter

By Jamie Lackey

HK-812 stepped out of her charging pod and gazed out the single narrow window that her 8×14 living space boasted. The brick wall outside was a whole eight inches away from the glass, and the morning sunshine gave the red-brown a cheery tone. As she watched, a single moth fluttered past, its wings white and delicate and brilliant in the light.

HK hummed a happy tune as she pulled on her regulation gray uniform. It was going to be a good day.


Lawrence stared at the empty hook by his front door. “Where are my keys?” he demanded.

“They are in the sink in your painting studio,” his house replied. “However, the car is not in the driveway. Would you like me to ping the GPS?”

Lawrence sighed. “Yeah.” He vaguely remembered getting a self-driving car home last night after he’d drunk one (or two, or seven) too many toasts to the happy couple. He didn’t really remember painting anything. He just hoped he hadn’t left the studio a complete disaster area.

“Your car is parked in the lot at 124 Lake St.”

Outside the reception hall. Which was about twenty miles from his lakefront house. And now he was supposed to pick them up and drive them to the airport for their honeymoon. His college best friend and high school sweetheart—they were sickeningly perfect together. They’d fought over whose side he’d be on in the bridal party.

They told him that they could get to the airport on their own, but he’d insisted. He was happy to do it, he wanted to see them off, he was so happy for them.

His head hurt.

It was going to be a rough day.
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Escape Pod 618: All Profound and Logical Minds (Artemis Rising)


All Profound and Logical Minds

By Bennett North

The space station was silent in the way that a black hole is black; it was more than just an absence of noise. There was something physical to the silence, a force pulling in all sound and eating it. Hannah anchored her boots to the floor of the atrium, feeling the reassuring click as the magnets engaged. Emergency lights washed the atrium floor with a watery red light.

Taking a deep breath of her tepid suit air, Hannah unzipped her bag. An insulated thermos floated out. She left it slowly rotating next to her elbow while she rummaged around to find her keychain. It was a cheap one, made of injection-molded nickel, in the shape of a caffeine molecule. Stupid and gimmicky, yes, but she needed a symbol of her faith and as an atheist, it worked. Bethany had come up with the idea of doing the ritual as an exorcism. A real Catholic exorcism would take much longer, but the clients liked the concept, and Hannah’s abbreviated version worked.

A faint click in Hannah’s ear warned her a second before she heard her sister’s voice over the radio. “Ship to Missionary. Come in, Missionary.” Bethany’s voice was thin and staticky, more white noise than words, but it was like tasting cream after having nothing but water.

Hannah closed her eyes for a second, savoring the soft hiss, and then opened them again, shifting a glance to the heads-up display to trigger the radio to pick up her response. “This is Missionary. I’m in position in the atrium.”

“How’s it looking in there?”

Hannah looked toward the starboard side of the atrium. Six or seven bodies had collected in the awning of a cafe like a lost handful of balloons. They were dressed casually as if they’d been strolling through the park at the time that the station vented.

“Quiet,” said Hannah.

“Good.” Bethany’s voice had a laugh in it. “The longer it stays quiet, the better.”
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