This story won the 1980 Nebula Award for Best Short Story and the 1981 Hugo Award for Best Short Story.
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Genres: Multiverse
Harry’s was a nice place — probably still is. I haven’t been back lately. It’s a couple of miles off I-79, a few exits north of Charleston, near a place called Sutton. Used to do a pretty fair amount of business until they finished building the Interstate out from Charleston and made it worthwhile for some fast-food joints to move in right next to the cloverleaf; nobody wanted to drive the extra miles to Harry’s after that. Folks used to wonder how old Harry stayed in business, as a matter of fact, but he did all right even without the Interstate trade. I found that out when I worked there.
Why did I work there, instead of at one of the fast-food joints? Because my folks lived in a little house just around the corner from Harry’s, out in the middle of nowhere — not in Sutton itself, just out there on the road. Wasn’t anything around except our house and Harry’s place. He lived out back of his restaurant. That was about the only thing I could walk to in under an hour, and I didn’t have a car.
This was when I was sixteen. I needed a job, because my dad was out of work again and if I was gonna do anything I needed my own money. Mom didn’t mind my using her car — so long as it came back with a full tank of gas and I didn’t keep it too long. That was the rule. So I needed some work, and Harry’s All-Night Hamburgers was the only thing within walking distance. Harry said he had all the help he needed — two cooks and two people working the counter, besides himself. The others worked days, two to a shift, and Harry did the late night stretch all by himself. I hung out there a little, since I didn’t have anywhere else, and it looked like pretty easy work — there was hardly any business, and those guys mostly sat around telling dirty jokes. So I figured it was perfect.
Harry, though, said that he didn’t need any help.
Genres: Space
In the morning, you’re no longer quite sure who you are.
You stand in front of the mirror–it shifts and trembles, reflecting only what you want to see–eyes that feel too wide, skin that feels too pale, an odd, distant smell wafting from the compartment’s ambient system that is neither incense nor garlic, but something else, something elusive that you once knew.
You’re dressed, already–not on your skin, but outside, where it matters, your avatar sporting blue and black and gold, the stylish clothes of a well-traveled, well-connected woman. For a moment, as you turn away from the mirror, the glass shimmers out of focus; and another woman in a dull silk gown stares back at you: smaller, squatter and in every way diminished–a stranger, a distant memory that has ceased to have any meaning.
Quy was on the docks, watching the spaceships arrive. She could, of course, have been anywhere on Longevity Station, and requested the feed from the network to be patched to her router–and watched, superimposed on her field of vision, the slow dance of ships slipping into their pod cradles like births watched in reverse. But there was something about standing on the spaceport’s concourse–a feeling of closeness that she just couldn’t replicate by standing in Golden Carp Gardens or Azure Dragon Temple. Because here–here, separated by only a few measures of sheet metal from the cradle pods, she could feel herself teetering on the edge of the vacuum, submerged in cold and breathing in neither air nor oxygen. She could almost imagine herself rootless, finally returned to the source of everything.
Most ships those days were Galactic–you’d have thought Longevity’s ex-masters would have been unhappy about the station’s independence, but now that the war was over Longevity was a tidy source of profit. The ships came; and disgorged a steady stream of tourists–their eyes too round and straight, their jaws too square; their faces an unhealthy shade of pink, like undercooked meat left too long in the sun. They walked with the easy confidence of people with immersers: pausing to admire the suggested highlights for a second or so before moving on to the transport station, where they haggled in schoolbook Rong for a ride to their recommended hotels–a sickeningly familiar ballet Quy had been seeing most of her life, a unison of foreigners descending on the station like a plague of centipedes or leeches.
Genres: Space
The world is shaped like the kanji for umbrella, only written so poorly, like my handwriting, that all the parts are out of proportion.
My father would be greatly ashamed at the childish way I still form my characters. Indeed, I can barely write many of them anymore. My formal schooling back in Japan ceased when I was only eight.
Yet for present purposes, this badly drawn character will do.
The canopy up there is the solar sail. Even that distorted kanji can only give you a hint of its vast size. A hundred times thinner than rice paper, the spinning disc fans out a thousand kilometers into space like a giant kite intent on catching every passing photon. It literally blocks out the sky.
Beneath it dangles a long cable of carbon nanotubes a hundred kilometers long: strong, light, and flexible. At the end of the cable hangs the heart of the Hopeful, the habitat module, a five-hundred-meter-tall cylinder into which all the 1,021 inhabitants of the world are packed.
The light from the sun pushes against the sail, propelling us on an ever widening, ever accelerating, spiraling orbit away from it. The acceleration pins all of us against the decks, gives everything weight.
Our trajectory takes us toward a star called 61 Virginis. You can’t see it now because it is behind the canopy of the solar sail. The Hopeful will get there in about three hundred years, more or less. With luck, my great-great-great-I calculated how many “greats” I needed once, but I don’t remember now-grandchildren will see it.
There are no windows in the habitat module, no casual view of the stars streaming past. Most people don’t care, having grown bored of seeing the stars long ago. But I like looking through the cameras mounted on the bottom of the ship so that I can gaze at this view of the receding, reddish glow of our sun, our past.
Genres: Space
Special thanks to user ERH at FreeSound.org who created and/or recorded the sound effect used in this episode!
Click.
The radio came on.
“Hell.”
Martha kept her eyes forward, concentrated on walking. Jupiter to one shoulder, Daedalus’s plume to the other. Nothing to it. Just trudge, drag, trudge, drag. Piece of cake.
“Oh.”
She chinned the radio off.
Click.
“Hell. Oh. Kiv. El. Sen.”
“Shut up, shut up, shut up!” Martha gave the rope an angry jerk, making the sledge carrying Burton’s body jump and bounce on the sulfur hardpan. “You’re dead, Burton, I’ve checked, there’s a hole in your faceplate big enough to stick a fist through, and I really don’t want to crack up. I’m in kind of a tight spot here and I can’t afford it, okay? So be nice and just shut the f*** up.”
“Not. Bur. Ton.”
“Do it anyway.”
She chinned the radio off again.
Jupiter loomed low on the western horizon, big and bright and beautiful and, after two weeks on Io, easy to ignore. To her left, Daedalus was spewing sulfur and sulfur dioxide in a fan two hundred kilometers high. The plume caught the chill light from an unseen sun and her visor rendered it a pale and lovely blue. Most spectacular view in the universe, and she was in no mood to enjoy it.
Click.
Before the voice could speak again, Martha said, “I am not going crazy, you’re just the voice of my subconscious, I don’t have the time to waste trying to figure out what unresolved psychological conflicts gave rise to all this, and I am not going to listen to anything you have to say.”
Silence.
Genres: Aliens
Rated 13 and over for sexual innuendo
There are only fragments of me left now. Chunks of memory have broken free and drifted away like calved glaciers. It is always like that when a Passenger leaves us. We can never be sure of all the things our borrowed bodies did. We have only the lingering traces, the imprints.
Like sand clinging to an ocean-tossed bottle. Like the throbbings of amputated legs.
I rise. I collect myself. My hair is rumpled; I comb it. My face is creased from too little sleep. There is sourness in my mouth. Has my Passenger been eating dung with my mouth? They do that. They do anything.
It is morning.
A gray, uncertain morning. I stare at it awhile, and then, shuddering, I opaque the window and confront instead the gray, uncertain surface of the inner panel. My room looks untidy. Did I have a woman here? There are ashes in the trays. Searching for butts, I find several with lipstick stains. Yes, a woman was here.
I touched the bedsheets. Still warm with shared warmth. Both pillows tousled. She has gone, though, and the Passenger is gone, and I am alone.
How long did it last, this time?
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One of my earliest memories starts with me sobbing. I refused to be soothed no matter what Mom and Dad tried.
Dad gave up and left the bedroom, but Mom took me into the kitchen and sat me down at the breakfast table.
“Kan, kan,” she said, as she pulled a sheet of wrapping paper from on top of the fridge. For years, Mom carefully sliced open the wrappings around Christmas gifts and saved them on top of the fridge in a thick stack.
She set the paper down, plain side facing up, and began to fold it. I stopped crying and watched her, curious.
She turned the paper over and folded it again. She pleated, packed, tucked, rolled, and twisted until the paper disappeared between her cupped hands. Then she lifted the folded-up paper packet to her mouth and blew into it, like a balloon.
“Kan,” she said. “Laohu.” She put her hands down on the table and let go.
A little paper tiger stood on the table, the size of two fists placed together. The skin of the tiger was the pattern on the wrapping paper, white background with red candy canes and green Christmas trees.
I reached out to Mom’s creation. Its tail twitched, and it pounced playfully at my finger. “Rawrr-sa,” it growled, the sound somewhere between a cat and rustling newspapers.
I laughed, startled, and stroked its back with an index finger. The paper tiger vibrated under my finger, purring.
“Zhe jiao zhezhi,” Mom said. This is called origami.
I didn’t know this at the time, but Mom’s kind was special. She breathed into them so that they shared her breath, and thus moved with her life. This was her magic.
(Continue Reading…)
If you listened to this back when it aired, then you’ve heard it, but I’m reposting it here for the benefit of people who want to experience all the Hugo nominees in a row!
It is sunset. The sky is splendid through the panes of my bedroom window; billowing layers of cumulous blazing with refracted oranges and reds. I think if only it weren’t for the glass, I could reach out and touch the cloudscape, perhaps leave my own trail of turbulence in the swirling patterns that will soon deepen to indigo.
But the window is there, and I feel trapped.
Behind me my parents and a specialist from the neurological research institute are sitting on folding chairs they’ve brought in from the kitchen, quietly discussing my future. They do not know I am listening. They think that, because I do not choose to respond, I do not notice they are there.
“Would there be side effects?” My father asks. In the oppressive heat of the evening, I hear the quiet Zzzapof his shoulder laser as it targets mosquitoes. The device is not as effective as it was two years ago: the mosquitoes are getting faster. (Continue Reading…)
For longer than anyone could remember, the village of Yiwei had worn, in its orchards and under its eaves, clay-colored globes of paper that hissed and fizzed with wasps. The villagers maintained an uneasy peace with their neighbors for many years, exercising inimitable tact and circumspection. But it all ended the day a boy, digging in the riverbed, found a stone whose balance and weight pleased him. With this, he thought, he could hit a sparrow in flight. There were no sparrows to be seen, but a paper ball hung low and inviting nearby. He considered it for a moment, head cocked, then aimed and threw.
Much later, after he had been plastered and soothed, his mother scalded the fallen nest until the wasps seething in the paper were dead. In this way it was discovered that the wasp nests of Yiwei, dipped in hot water, unfurled into beautifully accurate maps of provinces near and far, inked in vegetable pigments and labeled in careful Mandarin that could be distinguished beneath a microscope.
The villagers’ subsequent incursions with bee veils and kettles of boiling water soon diminished the prosperous population to a handful. Commanded by a single stubborn foundress, the survivors folded a new nest in the shape of a paper boat, provisioned it with fallen apricots and squash blossoms, and launched themselves onto the river. Browsing cows and children fled the riverbanks as they drifted downstream, piping sea chanteys.
The remainder of the story text has been removed at the author’s request.