Posts Tagged ‘immortality’

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Escape Pod 697: The Last Stellar Death Metal Opera


The Last Stellar Death Metal Opera

By Elly Bangs

Raya eases power into the singularity engine and all her senses sharpen with the glorious, brutal reality of the moment: dead ahead there’s the blacklight-purple disk of Wolf-Rayet 104, twenty-eight subjective minutes before it goes core-collapse supernova. In her rear view there’s the brown dwarf she’s dragging on a graviton leash. She aims to hurl it down that deep purple star’s gravity well fast and hard enough to nudge it a degree off its axis just before it blows, in turn tilting the jet of its impending gamma ray burst away from an ocean planet and sparing a half-billion bronze-age octopodes from a gruesome flash-boiled apocalypse.

After aeons of waiting and searching, finally everything is in order, all her conditions met: she’s the only one who can do it, this is the only way it can be done, and there’s no scenario that doesn’t end with her being blasted so effectively to smithereens that no tech in the universe can put her back together again.

She cranks up the music (some ancient pre-Unimind death metal) and cracks her neck. She verifies the integrity of her mohawk, the wicked glint of her spiked bracelets in the cockpit lights, the wings of her void-black eyeliner: She’s going to be the first human being to die in a very, very long time, and she’s damn well going to do in style. She plants a kiss on her fingers and transfers it to the photo of the late, eternal Jex Epsilon-James stuck to the cockpit ceiling.

“This is it, Jex. It’s going down.”
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Escape Pod 616: My Generations Shall Praise


My Generations Shall Praise

By Samantha Henderson

The woman on the other side of the glass must be very rich and very sick. I study her face, looking for any kind of resemblance. If I’m a Jarndyce candidate, we must be related. It’s the only way she could ride my brain.

She’s a predator. I recognize my own kind.

Mrs. Helena McGraw is studying me too. The side of her mouth quirks up, twisting her face out of true. “Great-grandmother Toohey,” she says, a little too smug.

Never knew my great-grandmother, but I do a quick calculation. That makes us second cousins. Helena’s lucky, me ripe for picking on death row. Only this low-hanging peach has some say in what’s going to happen to her. Not much: a choice of deaths. But how I choose means everything to her.
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Escape Pod 562: Meltwater


Meltwater

by Benjamin C. Kinney

My beloved waits for me in the flooded church. She’s died one time too many, and I can’t get her back without her help. At least, at last, it gives me a reason to see her again.

The church lies at the edge of the Mediterranean fracture, below cliffs barely eight thousand years old. Glacial melt pours down the precipice, filling the air with a fine frigid mist. Rime ice coats the façade, making the church look like a sharp-clawed hand locked in melting wax. Another fork drops me off in a flier, leaving me alone in the valley with my pack and what few memories I can carry.

Boulders and high water have turned the entrance into a scramble over icy stone. My lungs heave against thin cold air as I catch my breath in the nave atop a half-submerged pile of boulders. There’s just enough dry space for me to stand upright. I wish I’d taken a different body, but for this task—for me—only the traditional shape will do.

I first spot Emlune as a glowing line of blue. Her primary lamp cuts across the chamber, and the air glimmers with frozen mist. She clings to the vaulted ceiling with eight articulated limbs. Smaller lights spangle her teardrop-shaped chassis, as if she had swum in water rich with bioluminescent algae.

I cup my hands in front of my mouth. “Emlune!”

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Escape Pod 448: Paprika


Paprika

by Jason Sanford

“Ah Paprika, you dance so well,” Satoshi exclaimed each bright-sun morning, his praise always pleasing no matter how many times Paprika heard it. And Paprika could dance, she really could. Not like some of the olds, who’d spent millennia shaping their locked-down bodies through graceful movements. But still she could dance. Ballet. The Twist. The Bhangra.

Sometimes she’d make herself as tiny as Satoshi’s hand and pirouette for hours on his workbench while he reformed nano into exciting, long-lost toys. Other times she’d dance full sized–child sized as Satoshi would say, although Paprika knew to never speak that depressing word to customers. Paprika would create a full-flowing lehengas skirt–always the brightest of greens–and she’d dance in the store window, spinning and spinning until she was so overcome with happiness she’d dance through the window into the outside world, leaping and spinning to imaginary partners, bowing and smiling to the boys and girls who never came, flying across the deserted streets and passing in and out of the empty but perfectly preserved buildings surrounding Satoshi’s shop.

But whenever any of the few olds left in the city visited, Paprika restrained herself by simply sitting at her table in the window display. Not that she was for sell–Satoshi always made that clear to any customer who mistook her for other than what she was. With her young girl’s body and innocent happiness, Paprika knew she helped Satoshi sell more than merely the bright toys which populated his store. She sold nostalgia. Happy memories of long-vanished childhoods.

And if nostalgia helped keep Satoshi alive, that was fine with Paprika.

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