The Endangered Camp

By Ann Leckie

After the terrible push to be free of the Earth was past, we could stand again. In a while, the engineers had said, everything would float, but for now we were still accelerating. We were eight in the small, round room, though there were others on the sky-boat–engineers, and nest-guardians examining the eggs we had brought to see how many had been lost in the crushing, upward flight. But we eight stood watching the world recede.

The floor and walls of the room were of smooth, gold metal. Around the low ceiling was a pattern of cycad fronds and under this scenes from the histories. There was the first mother, ancestor of us all, who broke the shell of the original egg. The picture showed the egg, a single claw of the mother piercing that boundary between Inside and Outside. With her was the tiny figure of her mate. If you are from the mountains, you know that he ventured forth and fed on the carcass of the world-beast, slain by the mother, and in due time found the mother and mated with her. If you are a lowlander, he waited in the shell until she brought the liver to him, giving him the strength to come out into the open. Neither was pictured–the building of the sky-boat had taken the resources of both mountains and lowlands.

On another panel was Strong Claw, her sharp-toothed snout open in a triumphant call. She stood tall on powerful legs, each foot with its arced killing claw, sharp and deadly. Her arms stretched out before her, claws spread, and her long, stiff tail stretched behind. The artists had worked with such skill that every feather could be distinguished. Behind her was the great tree that had carried her across the sea, and in the water were pictured its inhabitants: coiled ammonites, hungry sharks, and a giant mososaur, huge-mouthed enough to swallow a person down at a gulp. Before Strong Claw was forested land, full of food for the hunting, new territory for her and her daughters yet unhatched.

A third panel showed the first sky-boat departing for the moon that had turned out to be farther away than our ancestors ever imagined. That voyage had been a triumph–the sky-boat (designed, all were ceaselessly told, by lowlander engineers) had achieved a seemingly impossible goal. But it had also been a disaster–as the mountain engineers had predicted, and the lowlanders refused to believe until the last, irrefutable moment, there had been no air on the moon. But as we had now set our sights on Mars, the artist had left off the end of the tale, to avoid ill-omen.

The engineers had used mirrors to cast an image of the Earth on the last, blank panel of the curved wall. It was this that held our attention.
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