Genres: Dystopia
/SFX/ CLOCK TICKING, FADE TO
/SFX/ DOGS BARKING IN DISTANCE
SAM: Like?
BECCA: Like.
SAM: (growls like a dog, sexy)
BECCA: Like?
SAM: Like.
/SFX/ DOGS BARKING IN DISTANCE
BECCA: Lick?
SAM: (giggles) Like.
BECCA: (howls like a dog)
Genres: Artificial Intelligence, Queer, Romance, Space, Technology, YA
“Hey Marty,” Mom asks, “got a moment?”
I cringe whenever Mom’s voice has that tone to it. I don’t know what she’s going to say; but if I’ve learned anything in my thirteen years on this desolate, oxygen-deprived rock, it’s that she’s going to find a way to say the most mortifying thing possible. It would be impressive, the way that every sentence excavates my stomach—if it weren’t my stomach she was mining!
Okay, that’s unfair. Maybe this time it won’t be so bad?
“That girl who just walked past us. Why didn’t you ask her out?”
Or not. (Continue Reading…)
Genres: Apocalyptic, Technology
(…Continued from Part 1)
Kite was still curled into a bundle of blankets in front of the stove when Setti woke. The old woman sniffed, torn between surprise and annoyance. She’d have figured him for a quitter, sneaking out before dawn to escape the work. That’s what she’d have done when she was his age. Not like Setti was in any shape to chase after him. But he’d stayed and now she was stuck with him, just like she was stuck with her ghost. There was a thought to cheer her up in the morning.
“Ey, boy.”
The bundle of blankets stirred, then Kite woke with a start. The bruise on his face looked worse in the harsh morning light, his cheek all swollen and purple. From the way he winced, it wasn’t the only one either. Setti dropped a bowl of oats on the table for him.
“About time you start working for your food.” (Continue Reading…)
Genres: Apocalyptic, Technology
Setti knew the woman for a ghost the moment she appeared. It was the pink hair that gave her away, short and spiky. Real people didn’t have hair like that. Also, you couldn’t see the scratchmarks on Setti’s kitchen table through real people’s torsos.
“The hell?” was the first thing the ghost said. Setti’s grandfather had tried to tell her ghost stories when she was a kid, a long time ago, but he’d had a habit of smoking and drinking too, so none of the stories had ever made any sense and Setti didn’t like unannounced visitors.
“Get out of my house,” Setti demanded.
“Um,” the ghost answered, staring at Setti with her eyes rimmed in thick black mascara, then held holding up a placating hand. “Okay. Just let me find—”
The ghost blinked out of existence. (Continue Reading…)
Genres: Apocalyptic, Artificial Intelligence, Robot, Technology
Every morning at ten to ten, Dot powered on. Its hands lay flat against the thick glass of the reading room window, which let the photoreceptors on its palms feast on the sun. The window overlooked a modest lot where cars had once parked in orderly fashion, side by side. Now the asphalt was veined with fissures, tufted with dandelions that had nudged and elbowed and bullied their way up from below.
Dot pulled its hands from the window. The synthetic skin suctioned off with a short, wet noise, one that Dot’s colleague, Alex, would have described as rude. The sound echoed around the reading room and pinballed through the rows of empty shelves. (Continue Reading…)
Genres: Apocalyptic, Research, Technology
When the boy opens his housing unit’s steel door and the incandescent lights pour into his face, he does not blink away. “Little suns” — this is what everyone calls them. The massive disks hover in the atmosphere, spilling streams of radiant light to the ground. The boy stares into the trees, mere meters from the door, and the forest encaving the unit stares back. A breeze finds him, whistling through the trees and into his dungarees. Threadbare with a Batman logo printed on them, the over-alls belonged to his mother when she was a child. (Continue Reading…)
It was a glorious day when she finally made it to the beach and fell to her knees, into sand unexpectedly soft and warm, and beheld the devastation. The sun smiled and the air danced with spindrift and in the water lay broken shipping cranes, gathered by the ocean’s currents into a jumbled breakwater, one atop another, too many pieces to know how many cranes had once stood intact. In their harbor bobbed the hulls of overturned ships, still buoyant with air long dead, enormous stepping stones, their way now lost.
She had tried to prepare herself for the desolation of this moment. But her preparations hadn’t worked. They never did. With each new discovery of emptiness and destruction, the truth of her aloneness hit her fresh. For as far as her eyes could see, there was no one. And there would be no one, no human, at least, to leave footprints on this sand, to taste the ocean’s salt in their mouth, no one but her. She let her anger, stiff and distant and enormous, unfurl, welcomed its magnificent warmth. She was the last of her kind—
Was that a guy in a bright orange t-shirt?
Genres: Aliens, Apocalyptic, War
There is doubt in my heart.
Here, in the Blackwater, doubt is dangerous.
Doubt is rancid. Like slitting the mud-smeared belly of a catfish, only to find its guts blackened by pollution, then watching it spill back into the blacker waters of the creek. Blackwater is a literal name; it is not symbolic. These people do not care about legacies. The only thing that matters is continuity. Continuity does not require permanence.
At least Oba says so. Surely Oba cannot be wrong.
Yet I doubt. (Continue Reading…)
I imagine you eating the chocolate bar.
It will arrive tomorrow, I hope, though the war has disrupted the medrunners’ routes between Chicago and London. It will arrive, though. I promise.
I imagine you unwrapping it, double-checking the forged postmark from your old orphanage, the forged note that says only happy birthday, since I never learned your real name. You’ll guess it’s chocolate, though it’s so expensive you’ve never tasted it before. Only copywrit people can afford chocolate.
The thought gives me pause. You believe I’m copywrit now, and I’m the only person who has ever bought you sweets. If you guess the bar is from me, you might throw it away.
Promise me, Fi. Promise me you’ll eat it.
I look up, away from the cartel’s sleek chemlab, and out over the Chicago skyline, hazy with sunset.
How dare you, you might reply if you were here. How dare you make me promise you anything. (Continue Reading…)
Leonardo says that the Americans are going to fire some rockets and free us from the tyranny of the aliens and I say: who gives a shit. Lemme tell you something: It wasn’t super-awesome around here before the aliens. At least we get three meals every day now.
I used to live in a cardboard house with a tin roof and collected garbage for a living. They called my home a ‘lost city’ but they should’ve called it ‘fucked city.’
Leonardo talks about regaining our freedom, ‘bout fighting and shit. What damn freedom? You think I had freedom in the slums? Leonardo can talk freedom out his ass because he had money before this thing started and he saw too many American movies where they kill the monsters with big guns.
I’m not an idiot. The cops used to do their little “operations” in our neighborhood. They’d come in and arrest everyone, take everything. They weren’t Hollywood heroes out to help people. They were fucking assholes and I don’t see why they would have changed. As for American soldiers saving the day: You think they give a rat’s ass ‘bout Mexico City? You think they’re going to fly here in their helicopters and save us?
I say fuck that shit. I never had no freedom. Leonardo can go piss himself.
(Continue Reading…)