Posts Tagged ‘jake kerr’

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Escape Pod 424: Biographical Fragments of the Life of Julian Prince

This story was first published in Lightspeed in March 2013.

Podcast: Play in new window | Download (Duration: 40:19 — 27.8MB)

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Show Notes

Sound effects for this story supplied by the following Freesound.org contributors: driet, lonemonk, Littleboot, klankbeeld, stevelalonde, blouhond, alexmol, bulbastre, Corsica_S, and gmarchisio.

Mentioned in the episode: narrators Bill Hollweg & Mat Weller are also appearing together in Brokensea Audio’s adaptation of the Planet of the Apes UK Stage Show and would love if you would give it a listen here: http://brokensea.com/potauk/.

Biographical Fragments of the Life of Julian Prince

by Jake Kerr

In the early twenty-first century, author Lesley Hauge wrote an essay entitled “we are what we leave behind” to little fanfare. In the wake of the Meyer Impact in 2023, amidst the coming to terms with the shock and loss, the essay was rediscovered and rose to prominence with a new understanding that all we may know about half the planet is what they left behind.

Literary giant Julian Prince examined what–and more importantly–who we left behind. So it is entirely appropriate to examine his own life the way he examined those of the millions that died on that fateful day in 2023, by what he left behind–the interviews, the articles, his own words, and the words of others.

These are the fragments that make up the whole.  For most of us that is all we have, and Prince knew that more than anyone.

So… Julian Prince…  Julian Samuel Prince.

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Escape Pod 387: Perspective

Originally in Fireside, Summer 2012.

Podcast: Play in new window | Download (Duration: 20:37 — 14.3MB)

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Perspective

by Jake Kerr

The worst part about picking my son up from the police station was the walk to get there. I hadn’t been outside in years, but it was still the same–the drab gray of the smog-stained overcast sky, the decaying concrete, the stench of gasoline, urine, and who knew what else. But thanks to Jeffrey there was a new assault to my senses–black molecular paint permanently defacing an already wretched city.With every step I could see his work–his “tags” as the police called them. They were all different, and there was no rhyme or reason as to what he would vandalize–the sides of buildings, street surfaces, retailer kiosks, even windows. The randomness made catching my son a difficult task for the police, but catch him they did, and now I had to walk these vile streets to bring him home.

I paid the bail, followed the directions to processing, and waited for my son. The policewoman there was polite and offered me a seat, but I stood. I wasn’t in the mood to relax, and Jeffrey needed to see how angry I was. So I waited, arms behind my back, staring at the door that led inside.

His head hung low as he walked out. He glanced up at me and then lowered his head again. “Hi, Pop,” he mumbled. I didn’t move. He walked over and added in a whisper, “I’m really sorry.”

“You lied to me.” I grabbed his right hand and pulled it up between us. “These black stains aren’t paint, Jeffrey. That is your skin. It was the price to pay for your job, you said. I’m painting ships with a new kind of paint, you said. You made the stains sound like a worthy sacrifice.” I tossed his hand down.

“Pop, please. Let’s talk about this at home.” He looked around the room, shifting from one foot to the other.

“Yes, we will discuss this at home.” I turned and walked out the door. He followed. I walked the streets again, Jeffrey shuffling behind me. I focused on the concrete at my feet, unable to bear looking at his work. My hands were clenched tight enough to turn my knuckles white, so I shoved them in my pockets.

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